Italian Painter , Firenze1535-1592 was an Italian painter active in Florence, working in a Mannerist style. He was a pupil of Michele di Ridolfi. During 1556-62, worked as an assistant to Giorgio Vasari in the decoration of the Palazzo Vecchio, where he worked with Mirabello Cavalori. He participated in the Vasari-directed decoration of the Studiolo of Francesco I with two canvases, one relating a Jason and Medea (1570) and the other a Baths of Pozzuoli (1572). He also painted an altarpiece on the Martyrdom of Saint Lawrence for Santa Maria Novella. In 1577, he completed a Gloria di San Lorenzo for Empoli Cathedral. He traveled to Rome and spent two years in Spain (1587-1589).   Related Paintings of Girolamo Macchietti :. | The Story of Nastagio degli Onesti | Fair | Portrait of Jerzy Ossolinski. | Portrait of Count Grigory Chernyshev with a Mask in His Hand | St.Jorisdoelen in Haarlem |
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John Lavery
1856-1941 Sir John Lavery (20 March 1856 ?C 10 January 1941) was an Irish painter best known for his portraits. Belfast-born John Lavery attended the Haldane Academy in Glasgow, Scotland, in the 1870s and the Acad??mie Julian in Paris in the early 1880s. He returned to Glasgow and was associated with the "Glasgow School". In 1888 he was commissioned to paint the state visit of Queen Victoria to the Glasgow International Exhibition. This launched his career as a society painter and he moved to London soon after. In London he became friendly with James McNeill Whistler and was clearly influenced by him. Like William Orpen, Lavery was appointed an official artist in the First World War. Ill-health, however, prevented him from travelling to the Western Front. A serious car crash during a Zeppelin bombing raid also kept him from fulfilling this role as war artist. He remained in Britain and mostly painted boats, planes and airships. During the war years he was a close friend of the Asquith family and spent time with them at their Sutton Courtenay Thames-side residence, painting their portraits and idyllic pictures like Summer on the River (Hugh Lane Gallery). After the war he was knighted and in 1921 he was elected to the Royal Academy. During this time, he and his wife both became interested in their Irish heritage and were tangentially involved in both the Irish War of Independence and the Irish Civil War: they gave the use of their London home to the Irish negotiators during the Treaty negotiations. After Michael Collins was killed, Lavery painted Michael Collins, Love of Ireland, now in the Hugh Lane Municipal Gallery. In 1929 John Lavery made substantial donations of his work to both The Ulster Museum and the Hugh Lane Municipal Gallery and in the 1930s he returned to Ireland. He received honorary degrees from the University of Dublin and Queen's University of Belfast. He was also made a free man of both Dublin and Belfast. He died in County Kilkenny, aged 84, from natural causes. He was buried in Putney Vale Cemetery.
PROCACCINI, Carlo Antonio
Italian painter, Lombard school (b. 1555, Bologna, d. 1605, Milano)
Metcalf, Willard Leroy
American Impressionist Painter, 1858-1925 American painter and illustrator. His formal education was limited, and at 17 he was apprenticed to the painter George Loring Brown of Boston. He was one of the first scholarship students admitted to the school of art sponsored by the Museum of Fine Arts, Boston, and took classes there in 1877 and 1878. After spending several years illustrating magazine articles on the Zuni Indians of New Mexico, he decided to study abroad and in 1883 left for Paris. There he studied at the Acad?mie Julian under Jules Lefebvre and Gustave Boulanger. During the five years he spent in France he became intimately acquainted with the countryside around the villages of Grez-sur-Loing and Giverny. He returned to America in 1888